Posts Tagged ‘Godelinde Gertrude’

You Review: Beautiful Ruins by Jess Walter

Tuesday, June 26th, 2012

Reviewed by Godelinde Gertrude

“Really hope that what’s in the book lives up to what’s outside,” I thought, a little anxiously, seeing the lush, bright cover of Beautiful Ruins. Fortunately, it does: this is a heartwarming book, a delight of a book. Starting with a young American actress arriving at a tiny fishing village on the Ligurian coast (in Italy), the story flashes back and forth between the 1960s and “recently”, picking up a motley crew of characters along the way in Hollywood, Edinburgh and other places, ending full circle back in the Italian village. However, underneath this narrative extravagance there’s a sweet, human love story, which makes the novel so engaging.

Many of the characters are writers themselves (a screenwriter, an author, etc.), which is why the novel frequently switches genres and incorporates their works, such as a play, a movie pitch, an unpublished chapter from a producer’s memoirs. This works as a clever criticism and deconstruction of film business, the complicated relation between life and art and the mystery and appeal of fame. However, this intertextuality and large cast are the two weakest points of the novel, adding more characters and stories instead of developing those already introduced. Especially because the Italian innkeeper and the actress are such endearing characters, I really wish I could have gotten to know them better.

In addition to these lovely characters and the human yet hope-filled story, Jess Walter’s writing is enjoyable in itself. Characters say quotable things like “A writer needs four things to achieve greatness: desire, disappointment and the sea. (…) You need to do disappointment twice.” Lines like these and the vivid descriptions made me read this novel in one go and reread it some weeks later. The book would have been even better with a “less is more approach” but nonetheless, I’d recommend Beautiful Ruins to anyone who’s looking for an enjoyable, well-written summer read (or cheerful read in the winter) that’s both insightful and moving.

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You Review: This Is Paradise by Will Eaves

Tuesday, February 28th, 2012

Reviewed by Godelinde Gertrude

“All happy families are alike; each unhappy family is unhappy in its own way” Tolstoy claimed in Anna Karenina (in the highly recommendable Pevear-Volokhonsky translation), sometime in 1873, but unhappy families or at least complicated family dynamics were already the staple of literature before he penned that phrase: since Cain killed Abel, you could say. Unfortunately, in spite of its title, This Is Paradise is not on a par with its illustrious genre buddies (say, the terrific Atonement): though a relatively well-written novel, it lacks heart.

I’d say that Will Eaves has about 60 percent of the art of writing down pat: the inner monologues definitely work, and a tremendous amount of memorable images can be found, which could be read out like poetry, e.g. “someone, or two, some loving couple, had just awakened gone to the bathroom and disappeared forever. Or, spell-struck, they had come apart at the seams and dispersed into a million stitches.” (76) and though a tighter plot and characters with more dissimilar names (instead of monosyllabic ones like Em, Liz, Ben, Don etc.) might have helped, I wouldn’t have noticed those if the characters were just as fascinating as the lovely language, with McEwan-esque psychological depth.

Unfortunately, I hated all of the characters, mainly because they all seem to hate each other’s guts. The cover reads “family: sometimes heaven, sometimes hell” but these family members seems to make life hell for each other all the time. They verbally abuse each other, both parents commit adultery (one of the daughters is even described as wanting one of her guy friends to have an affair with her mother) and none of the characters seems to experience any bond or even attachment with his or her siblings or child. Apart from this being psychologically implausible, this just made me dislike the main characters so much that I just couldn’t relate to them in any way.

I admired the evocative imagery, lovely language and accomplished skipping around in characters’ minds, but the appalling characters ruined this book for me.

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You Review: The Song of Achilles by Madeline Miller

Monday, September 26th, 2011

Reviewed by Godelinde Gertrude

Summed up in one word: Troy-light

Madeline Miller has pulled off an epic feat: she took a tragic boys’ love story set in the Trojan War, and turned it into something so dull I ended up preferring my statistics book. Usually I can finish a book with a font as large as this one in three hours, but this time it took me three weeks.

The plot of The Song of Achilles basically is Supernatural Romance Young Adult Fiction. Outsider mortal (Patroclus) has a crush on perfect immortal (Achilles), enraging other immortals (Thetis, Achilles’s sea nymph mom) and after some other obstacles the lovers march off to epic supernatural war for tragic doom. Not the most inspired plot out there, but it could have worked. However, Patroclus is not just whiny and passive, he is devoid of any desire or drive or even will: “Oops, I’ve kissed Achilles and now his mom is mad.” In addition, he is so obsessed with the perfection that is Achilles, he makes Bella seem positively normal. The character of Achilles is even flatter: a supermodel avant la lettre, who’s so simple and trusting he seems to have the IQ of a goldfish.

Because I liked the premise of the book and therefore didn’t want to give up on it after a few characters, I tried reading it as a piece of camp. Because –apparently unintentional- camp it has plenty of: as teens, Patroclus and Achilles live in a pink, crystal cave. It’s pink. It glitters. It’s a cave. It’s Stone Age Barbie! Unfortunately, that didn’t work either, mainly because of the writing, which is so simple that some four year-olds could read it. It is also sloppy, full of meaningless shifts from present to past tense. Oh, and there’s the purple prose and the metaphors, which aren’t just off but confusing and ridiculous: “He was outlined against the painted stars; Polaris sat on his shoulder” (p. 94) and “her heart-shaped buttocks started at me like a reproach.” Laugh-out-loud lines like that ruin any chance of a willing suspense of disbelief.

If the world-building had been specific, engaging en believable, I could have accepted all the things mentioned above. But here’s my main disappointment: this book is about the Trojan War, about Ancient Greece, one of the most epic settings any writer could wish for. But The Song of Achilles never once gives you a sense of being in that place in that time: all locations and travels are vague, the seasons are generic, there’s nothing sublime or even mildly interesting about the gods, the war itself is bloodless. Even the love between Patroclus and Achilles is so ill-defined, that in the last chapter –with its unsatisfactory nymph-ex-machina ending- Patroclus’ memories of his boyfriend are literally nothing more than “and this and this.”

So, if Madeline Miller, as the blurb claims, takes Homer as her muse, she probably plugged her ears with wax, just like Ulysses did, and didn’t hear a line her “muse” said.

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You Review: Annexed by Sharon Dogar

Monday, September 13th, 2010

Review by Godelinde Gertrude

Annexed tells the story of the Secret Annexe – and beyond- through the eyes of Peter van Pels, “the boy who loved Anne Frank”.

This tremendously powerful premise would have benefited from a more balanced treatment and a more attentive editor: When this novel doesn’t work, it feels ham-fisted and the writing too fragmented and incoherent to be engaging; the repetitive phrases, overuse of full stops, simplistic language, Romantic veneration of the artist, and the error of “Zaandvoort” instead of Zandvoort are rather bothering.  An audience who can deal with this subject matter and is expected to identify with a 16-year-old boy and his sexual awakening doesn’t need to be addressed in baby language. This may have been unintentional or perhaps reflects the stream-of-consciousness of a concentration camp inmate or how unspeakable the horrors of the Holocaust are, but it does prevent the reader from identifying with the characters.

However, what does work about Annexed is how suitably claustrophobic and nightmarish it is, its poetic language, awareness of nature (yeah, the tree is in there) and of course the terrors of WWII, especially in the second part (which owes a little too much to Primo Levi.) As a result, it’s not as glossy and as Hollywood-Holocaust as The Boy in the Striped Pyjamas.

Additionally, it’s a great change from those ubiquitous vampires and zombies and it takes a huge amount of creative guts to tackle Anne Frank’s story.

However, Anne’s story is moving and tragic because she does not know what will happen, so that the reader also briefly forgets her fate, only to be shocked into awareness later on. Nothing as subtle here: Annexed immediately hits you on the head with Peter dying in Mauthausen. Therefore, I’d recommend reading the diary itself, and then visiting the Anne Frank house; if you by then still don’t realize how lucky you are to be alive and free, you might consider reading this one.

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