Posts Tagged ‘ellyn cook’

You Review: The Taste of Tomorrow by Josh Schonwald

Thursday, April 26th, 2012

Every once in a while we get 2 copies of the same book for the You Review program.  And, because fate wouldn’t have it any other way, both reviewers of this particular title handed in their review on exactly the same day, within hours.  :-)

Reviewed by Julie de Graaf

In The Taste of Tomorrow: Dispatches from the Future of Food journalist Josh Schonwald investigates the kinds of food we will eat in 2035. More specifically Schonwald sets out to find our future salad, meat, fish and ethnic food (“the next Pad Thai”). In the book he describes his travels from California (salad heaven) and the Netherlands (apparently our small country is the place to be for test-tube grown meat), to Virginia (where cobia-fish, “the next salmon”, are being farmed in big warehouses) and sub-Saharan Africa.

Schonwald writes in a personal manner; switching from his own experiences and travel anecdotes to scientific research and interviews with experts. For me Schonwald’s personal stories were interesting and easy to read, but the more serious, scientific parts were a bit dry. I mean, I like to learn more about food, but I do not enjoy to read in great length about the history of lettuce. Still, even with these somewhat boring parts, The Taste of Tomorrow makes for an interesting read for everyone who wants to know more about the future of food.

Reviewed by Ellyn Cook

When it hit the table, The Taste of Tomorrow looked appetising; the back cover marketing steaming with the promise of ‘a rare behind-the-scenes glimpse at what we eat today – and what we’ll be eating tomorrow’ was enough to get any epicurean reader salivating. Yet, as the time honoured saying goes, the proof of the pudding was indeed in the eating.

In parts 1 & 2 Josh Schonwald presented a flavoursome entrée. Exploring a mixed (plastic) bag of (pre-cut and pre-washed) salad greens, we journeyed to the Sakinas Valley in California to explore why, from a library of more than fourteen thousand types of globally sourced lettuce seeds, few will ever be cultivated, and how the alternative potential candidate for the next ‘paradigm-shifting green’ could well be radicchio, a variety of chicory with an impressive back-catalogue of heirloom varieties that are rapidly becoming re-popularised. It was a nice fresh start but it didn’t last. Somewhat surprisingly a sudden sizable chunk of pro-GMO babble was served up straight after the salad. Uncritical recitation of Biotech Inc.’s standard industry line that GMOs are ‘technologies that could feed the world and protect the planet’ was neither original nor persuasive and imparted a sour taste to the remainder of the fare.

For main course (parts 3 & 4), there was meat and fish. Well, sort of. Here Schonwald examined what might become the meats of the future, efforts currently underway to grow meat in-vitro and the rise of land-based fish farming, aquaculture being the swiftest growing source of food production today. These were topics ambitiously attempted but poorly developed and executed – pushing unpalatable – as Schonwald’s chosen subjects are little more than concepts at present and whether (and why, or not) they catch on will remain highly provisional for some time yet. After a while the reliance on personal travel experiences and over-done anecdotes made the text bland and chewy; careful editing could have trimmed a lot of fat from these sections.

Dessert (parts 5 & 6) consisted of the last culinary frontier (read ‘reach of globalisation’) of ‘ethnic’ food yearning: the mystery-meat dishes and starchy staples and stews of sub- Saharan (non-Ethiopian) Africa. This was followed by the idea that nanotechnology could one day provide humanity with nutrients for survival. It proved a disparate mix: the idea of turning traditional foods of peoples afflicted by here-and-now poverty, hunger, war, sickness, even access to safe drinking water, into the next novelty menu trend, juxtaposed with the profligate indulgences of those pursuing a fanciful ‘nano panacea’.

The Taste of Tomorrow is a novel idea, yet fatally misses the fundamental spice of the food contemplation genre: development of sophisticated discourse on food politics – the inevitable roles that governments, multinational corporations, environmentalists, mono-culture agribusinesses, local communities and consumers should, do and will play in the future of our foods. After all, this is a genre dominated by such five-star food politics chefs as Michael Pollan (The Omnivore’s Dilemma, In Defense of Food: An Eater’s Manifesto, The Botany of Desire), Jennifer Lawrence (Not on the Label), Eric Schlosser (Fast Food Nation) and Marion Nestle (Safe Food: Bacteria, Biotechnology, and Bioterrorism), whose works have demonstrated that no matter what agricultural or technological innovations come along, from seed to shelf it’s food politics rather than food preferences that will likely determine what we will come to eat.

You Review: The latest releases, reviewed by ABC customers.

If you’d like to join in and get free books and ABC gift vouchers, see the original post for more details.

Visiting the other Anne Frank House

Thursday, January 19th, 2012

The flat in South Amsterdam where Anne Frank and her family lived for nine years before going into hiding at the Secret Annex on the Prinsengracht was open to the public for one day on Saturday, 10 December, 2011. Friend of the ABC Ellyn Cook was there and shares the experience.

“In rivers, the water that you touch is the last of what has passed and the first of that which comes; so with present time.” – Leonardo da Vinci

The second floor flat in Amsterdam South where Anne Frank and her family lived prior to going into hiding.

The second floor flat in Amsterdam South where Anne Frank and her family lived prior to going into hiding.

The Franks made their home in a three bedroom flat on the second floor of number 37 Merwedeplein. Here they lived from December 1933 until July 6 1942, when they were forced to leave the flat and go into hiding at the Secret Annex on the Prinsengracht (Princes’ canal), now the Anne Frank House Museum.

Merwedeplein in Amsterdam

For sixty years tenants came and went until, in 2004, the flat was purchased by the Ymere housing association, restored in 1930s style and refurbished with furniture from the Department for Cultural Heritage to recreate the look of the Franks’ home; a feat requiring extensive research and greatly assisted by the Anne Frank Foundation and Otto Frank’s own photographs.

Wallpaper detail in the hall of the Frank family's flat. Photo Credit: Luuk Kramer Fotographie Amsterdam

One Saturday in December 2011, the flat was opened to the public, for just one day. I just had to take a look inside

Looking from the Frank's living room into the dining room in their flat in South Amsterdam. Photo Credit: Ellyn Cook

Swing left from the landing at the top of the entry stairs and you enter the bright dining room, used as a bedroom for Anne’s grandmother who joined the family here from 1939 until her death in January 1942.

The wooden-framed window overlooks the square, inviting one to peer to the street below. Indeed it was leaning from this window to watch a wedding party below that Anne was captured, in the only known film taken of her, on 22 July 1941.

The view from the living room of the Frank family's flat. Photo Credit: Luuk Kramer Fotographie Amsterdam

The large adjoining living room echoes with the animated Saturday discussions long gone, brought to life by Miep Gies in Anne Frank Remembered,

‘At these Saturday gatherings we all sat around a large round dark oak table in the Franks’ living room. The table was filled with coffee cups, creamers, Mrs Frank’s beautifully polished silver, and delicious home made cake. Everyone talked at once.’

Across the intricately painted hall, near the bathroom with (original) bathtub and hot running water – each of these a luxury in the 1930’s – lies the smallest bedroom, that of Otto and Edith Frank. It is a modest square room with doors to the balcony but it’s winter and the heavy green curtains are drawn.

Adjacent is the bright blue kitchen with original 1930’s tiles  - here donated from neighbouring properties – of the sort that surrounded Edith when she was working on the cakes so admired by Miep.

Kitchen at the Frank's flat at the Merwedeplein. Photo Credit: Luuk Kramer Fotographie Amsterdam

In Anne and Margo’s bedroom hangs a letter from Anne to her grandmother in Switzerland, invaluable to the refurbishment process:

‘ We have a commode, a washbasin and a wardrobe, opposite which is mother’s desk that we have made into a lovely writing table’.

A replica of the writing desk stands at the window before us. It was seated here that Anne began writing in the diary she received for her 13th birthday, on 12 June 1942, a month before the family fled.

Exact replica of the desk at which Anne Frank began her diary at the Merwedeplein flat. Photo Credit: Ellyn Cook

Today, her diary continues to educate millions about the Holocaust. As Ernst Schnabel put it in The Footsteps of Anne Frank,

‘Out of the millions that were silenced, this voice no louder than a child’s whisper… It has outlasted the shouts of the murderers and has soared above the voices of time.’

On leaving the house I remember that it is by this front door that the summons ordering Margo to report for relocation to a work camp in Germany arrived. Now as then, there is a moment of deep, uneasy silence. Today the flat has a new purpose, it is a writers’ house. Leased to the Dutch Foundation for Literature it is a place where foreign writers who are persecuted in their own lands can come to work in freedom. In 2006, Maarten Asscher, board member of the Foundation, noted,

‘It is of rare historical symbolism that writers can finish their work at the exact location where Anne Frank started her diary.’

Here flows more than memory, here hope lives on.

Anne Frank at her writing desk in the family's South Amsterdam flat. Photo Credit: AFF Basel and AFS Amsterdam.

With grateful thanks to Ymere, Het Nederlands Letterenfonds (The Dutch Foundation for Literature), and Bookshop Jimmink.

Further Reading

Further information about Anne and Margo’s childhood on the Merwedeplein can be found in: Childhood Friend of Anne Frank by Hannah Goslar and Leslie Anne Gold My Name Is Anne, She Said, Anne Frank: The Memoirs of Anne Frank’s Best Friend by Jacqueline Van Maarsen Het andere huis van Anne Frank: Geschiedenis en toekomst van een schrijvershuis is sadly out of print. If you’d like a copy, ask us to find one for you via our Used and Rare Books Service – they have plenty!

YOUR Favorite Reads of 2011

Friday, January 6th, 2012

We asked for it, and you sent them, in droves: Your Favorite Reads of 2011!  Thank you so much for sharing your favorite reads with us (and that so many of you took the time to write your favorites down!).

Now, I know this is one *massive* post, but sometimes, spending quality time pondering highly recommended titles all gathered together can be the best half hour of your day.  If you want short cuts, though, click on their names for the favorites of Patty Friedrichs, David Swatling, Katherine Matthews, Keefe Cordeiro, Jonathan de Souza, Gabriëlle Linger, Retno Trimbos, Sara van Bussel, Marjolein Balm, Natalie Gerritsen, Em Angevaare, Oona Juutinen, and Ellyn Cook.

Here’s to 2012 holding as many good reads as 2011.  :-)

(more…)

You Review: Shadow of the Titanic by Andrew Wilson

Monday, November 7th, 2011

Review by Ellyn Cook

A causal survey of forthcoming events to mark the 100th anniversary of the sinking of the RMS Titanic reveals that there will be an excess of offerings commemorating her fateful maiden voyage. There’s a cruise on The Balmoral that will carry the same number of passengers as the Titanic, follow the same route, and on 14 April will arrive at the location at which the Titanic sunk and hold a memorial ceremony from 11.40pm (the time of the ship’s impact with the iceberg) to 2.20am (the time of the sinking). There’s also the recreation, by Arthur Price of England, of the cutlery used in the First Class accommodation, with the White Star Line’s logo on each knife-blade, just as on the originals. These events, together with the many exhibitions, commemorative objects and memorials scheduled, are testament to the enduring fascination that this 100 year old unique historical occurrence holds for contemporary society.

In what will likely be one of many books to commemorate this centenary, Shadow of the Titanic by Andrew Wilson explores the ways in which escaping the disaster affected the lives of a cross-section of the 705 passengers who survived the sinking. In an elegantly constructed volume, Wilson interweaves three major themes: the struggles with relationships experienced by many survivors, opportunism and celebrity sought or unexpectedly encountered, and – by far the most widely experienced emotion – the guilt of having survived. The book is well researched and the writing is lucid, making it an engaging read from beginning to end.

Quotes from survivors are aptly chosen to acutely portray the panic in the air at the sinking and do justice to the poignant nature of people’s experiences, as well as embody the complexity of their memories, feelings and lives thereafter. The personal stories are well grounded in letters, diaries, interviews and memoirs, and bring to light previously unpublished correspondence between Titanic survivors and author Walter Lord who maintained contact after publication of his 150 page narrative A Night to Remember in 1955. In Shadow of the Titanic, Andrew Wilson skilfully extends our engagement with one of the most closely documented incidents in history, and demonstrates how the survivors of the incident really did live their lives afterward always in the darkness of the disaster.

You Review: The latest releases, reviewed by ABC customers.

If you’d like to join in and get free books and ABC gift vouchers, see the original post for more details.

You Review: There But For The by Ali Smith

Friday, September 23rd, 2011

Reviewed by Ellyn Cook

Genevieve Lee holds an unconventional dinner party each year in her stylish Greenwich home, to which she invites friends and a couple of people with whom she wouldn’t otherwise mix. Summer 2009 and the special guests include a black couple recently relocated – though from Harrogate, not Africa – and Mark, a gay picture editor haunted by memories of his late mother, who killed herself when he was a child. Mark brings along Miles Garth, a stranger he once sat next to at the theatre and whom he barely knows. To everyone’s surprise, Miles disappears upstairs halfway through the meal, locks himself in the spare bedroom and refuses to come out. His one communication conveys he has water from the en-suite bath so only requires food. Days stretch into weeks and months and Miles become a semi-celebrity after an article in a national newspaper brings crowds flocking to the house and hostess Gen begins selling ‘Milo Merchandise’. Each chapter presents the perspective of a different acquaintance of Miles until – eventually – precocious and very verbal nine year-old neighbour Brooke provides him with grounds for re-entering the world. At the novel’s centre, the dinner party is played out in full.

Given that the idea of ‘the house guest who overstays their welcome’ is well established (e.g. The Man Who Came to Dinner, first launched on Broadway in 1939), it was logical to expect that new engagement with this theme would sharpen the subject in innovative ways. Yet, the central character Miles frustratingly remains an enigma to his fellow characters and the reader alike. Likewise, peripheral character May – in her eighties, suffering from dementia and whose connection to Miles is unclear – is further departure from the story as it could be. In addition, the anarchic aim of unsettling middle-class sensibility, represented by the ingrained prejudices and superciliousness of the guests at the party, although not lost, might well have been more up-to-date. The black couple is asked if they ‘have ever seen a real tiger back home’ – plausible at a dinner set a century ago, but for 2009, it’s weary.

The prose in the There But For The by Ali Smith is from the modern vernacular; contemporary expressions and popular culture drawn in through reference to songs, television and internet phenomena. The style is light, conversational, and with something of a linguistic tomfoolery with puns (Gen’s husband is called Eric; thus Gen and Eric). Some of the more extreme modern elements were irksome, such as the dialogue presented without quotation marks. Most maddening, however, was the lack of a strong ending.

You Review: The latest releases, reviewed by ABC customers.

If you’d like to join in and get free books and ABC gift vouchers, see the original post for more details.

Powered by WordPress