Five Recently Arrived Fiction Titles:
Helen Walsh doesn’t believe in fear – it’s just a thing invented by men to get all the money and good jobs – and yet she’s sinking. Her work as a Private Investigator has dried up, her flat has been repossessed and now some old demons have resurfaced.
Not least in the form of her charming but dodgy ex-boyfriend Jay Parker, who shows up with a missing persons case. Money is tight and Jay is awash with cash, so Helen is forced to take on the task of finding Wayne Diffney, the ‘Wacky One’ from boyband Laddz.
Things ended messily with Jay. And she’s never going back there. Besides she has a new boyfriend now, the very sexy detective Artie Devlin and it’s all going well. But the reappearance of Jay is stirring up all kinds of stuff she thought she’d left behind.
Playing by her own rules, Helen is drawn into a dark and glamorous world, where her worst enemy is her own head and where increasingly the only person she feels connected to is Wayne, a man she’s never even met.
This is the story of a city.
The northwest corner of a city. Here you’ll find guests and hosts, those with power and those without it, people who live somewhere special and others who live nowhere at all. And many people in between.
Every city is like this. Cheek-by-jowl living. Separate worlds.
And then there are the visitations: the rare times a stranger crosses a threshold without permission or warning, causing a disruption in the whole system. Like the April afternoon a woman came to Leah Hanwell’s door, seeking help, disturbing the peace, forcing Leah out of her isolation…
Zadie Smith’s brilliant tragi-comic new novel follows four Londoners – Leah, Natalie, Felix and Nathan – as they try to make adult lives outside of Caldwell, the council estate of their childhood. From private houses to public parks, at work and at play, their London is a complicated place, as beautiful as it is brutal, where the thoroughfares hide the back alleys and taking the high road can sometimes lead you to a dead end.
Depicting the modern urban zone – familiar to town-dwellers everywhere – Zadie Smith’s NW is a quietly devastating novel of encounters, mercurial and vital, like the city itself.
The new novel from Michael Chabon, his first in 5 years, is a lovingly painted pop-culture epic.
One street, two families. As the summer of 2004 draws to a close, Archy Stallings and Nat Jaffe are still hanging in there, longtime friends, band mates and co-regents of Brokeland Records. Their wives, Gwen Shanks and Aviva Roth-Jaffe, are the Berkeley Birth Partners, a pair of semi-legendary nurse midwives.
When ex-NFL quarterback Gibson Goode announces plans to go forward with the construction of his latest Dogpile megastore on Telegraph Avenue, Nat and Archy fear the worst for their vulnerable little enterprise. But behind Goode’s announcement a nefarious story lurks.
As their husbands struggle to mount a defence, Aviva and Gwen also find themselves caught up in a professional struggle that tests the limits of their friendship. And simultaneously, into their already tangled lives, comes Titus Joyner, the teenaged son Archy has never acknowledged.
The Kingmaker’s Daughter is the gripping story of the daughters of the man known as the “Kingmaker,” Richard Neville, Earl of Warwick: the most powerful magnate in fifteenth-century England. Without a son and heir, he uses his daughters, Anne and Isabel as pawns in his political games, and they grow up to be influential players in their own right. In this novel, her first sister story since The Other Boleyn Girl, Philippa Gregory explores the lives of two fascinating young women.
At the court of Edward IV and his beautiful queen, Elizabeth Woodville, Anne grows from a delightful child to become ever more fearful and desperate when her father makes war on his former friends. Married at age fourteen, she is soon left widowed and fatherless, her mother in sanctuary and her sister married to the enemy. Anne manages her own escape by marrying Richard, Duke of Gloucester, but her choice will set her on a collision course with the overwhelming power of the royal family and will cost the lives of those she loves most in the world, including her precious only son, Prince Edward. Ultimately, the kingmaker’s daughter will achieve her father’s greatest ambition.
Recently having abandoned his RD Laing-influenced experiment in running a therapeutic community – the so-called Concept House in Willesden – maverick psychiatrist Zack Busner arrives at Friern Hospital, a vast Victorian mental asylum in North London, under a professional and a marital cloud. He has every intention of avoiding controversy, but then he encounters Audrey Dearth, a working-class girl from Fulham born in 1890 who has been immured in Friern for decades.
A socialist, a feminist and a munitions worker at the Woolwich Arsenal, Audrey fell victim to the encephalitis lethargica sleeping sickness epidemic at the end of the First World War and, like one of the subjects in Oliver Sacks’ Awakenings, has been in a coma ever since. Realising that Audrey is just one of a number of post-encephalitics scattered throughout the asylum, Busner becomes involved in an attempt to bring them back to life – with wholly unforeseen consequences.
Is Audrey’s diseased brain in its nightmarish compulsion a microcosm of the technological revolutions of the twentieth century? And if Audrey is ill at all – perhaps her illness is only modernity itself? And what of Audrey’s two brothers, Stanley and Albert: at the time she fell ill, Stanley was missing presumed dead on the Western Front, while Albert was in charge of the Arsenal itself, a coming man in the Imperial Civil Service. Now, fifty years later, when Audrey awakes from her pathological swoon, which of the two is it who remains alive?