Five Recently-Arrived Titles from the Fiction Section:
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This debut novel is about Viola and Isolte, identical twins who grew up in the woods of Suffolk but in now living in London. Both start telling the stories from their past while they struggle with their own, current problems. Viola has an eating disorder, while Isolte has a tough time concentrating on her job at a fashion magazine.
Within each chapter, the past and present are alternated. We know something bad has happened in the twins’ past, but only figure this out towards the end of the book. This makes for a nice sort of suspense, although this is by no means a detective or a thriller. The book is about the psychological struggle of dealing with the past.
I thoroughly enjoyed the scenes in the forest during Viola and Isolte’s childhood. It gave me a sense of being there with them, and I noticed I came to care for them as the novel progressed. At some point in the beginning of the story I was wondering whether the whole book would be about reminiscing about the past, which would have made it a bit dull. To my relief, the author gives us a change in scenery at about halfway through the book. This turn of events renewed my interest and led to some unexpected revelations in the story.
The back flap compares the book to a Maggie O’Farrell novel, but that would be too much praise (a more obvious comparison would be to Audrey Niffenegger’s Her Fearful Symmetry, also dealing with twin girls). The Twins is a great read, but not without its flaws. It gets a little clichéd towards the end, and at some points contains overly explicit descriptions of the characters’ behaviors or feelings, which spoil the otherwise subtle conveyance of the author’s meaning. These (beginner?) mistakes are easily forgiven though, because in general it was a compelling read. I am looking forward to Saski Sarginson’s next project.
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“When it comes to genres, the borders are increasingly undefended,” wrote author Margaret Atwood on the difference between sci-fi and speculative fiction. She sees the latter as stories descended from the books of Jules Verne about events that really could occur but simply hadn’t happened – yet. This places the imaginative debut novel Osiris by E.J. Swift squarely in the arena of speculative fiction – or more specifically, in the realm of a subgenre that has been dubbed cli-fi.
Swift conjures a vivid city of glass towers and pyramids rising from the ocean, the last haven in a world devoid of land – as far as the inhabitants are aware. No one has dared undertake an expedition to confirm this fact for a very long time.
This watery universe is presented through the alternating voices of two young protagonists: Adelaide Mystik, rebellious daughter of a wealthy founding family; and Vikram Bai, impoverished refugee of the Western Quarter. After they both witness a public execution (by drowning, of course) their lives become inextricably entangled. Adelaide needs help to search for her missing twin brother. Vikram needs support to plead his case for reform before the Counsel. Neither fully trusts the other, but time is running out and rules need to be broken.
Swift writes with assured elegance and her eco-dystopian vision is politically complex. Although Osiris dives into the deep end with a strong start, the midstream narrative tends to tread water for too long before powering to the finish line. Since this is only Book One of a projected series (The Osiris Project) one hopes the talented author will overcome the structural stumbles of her first novel, just as her engaging young heroes meet the challenges of the precarious future she has created for them.

You Review: The latest releases, reviewed by ABC customers.
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